Monday, August 18, 2008

Register Now!



The da Vinci Film Festival is calling for entries to its 2009 Event. This year we will be selecting entries from the following categories:

- Narrative Short Film
- Narrative Feature Film
- Documentary
- Young Filmmaker

For all the fine print and to submit your film visit Without a Box page:

Good Luck!

Wednesday, May 7, 2008

Wet Weather Fails to Dampen Enthusiasm for da Vinci Film Festival

CORVALLIS, ORE., April 24, 2008 — Neither snow, nor rain, nor hail, nor gloom of unseasonably chilly nights could spoil the spring debut of the da Vinci Film Festival.

Previously held in conjunction with da Vinci Days in July, the 9th annual film fest drew more than 400 cold and soggy filmgoers to LaSells Stewart Center on the Oregon State University campus and to the Darkside Cinema in downtown Corvallis.

“While there were fewer attendees than we planned for, those who braved the harsh spring weather had a great time,” said da Vinci Days Executive Director Brenda VanDevelder. “From a financial perspective, this was a good first year as an independent event, and it laid the foundation for next year's festival.”

The hardy crowd was rewarded with a diverse lineup of short and feature-length films in a variety of genres. Lizz-Ayn Shaarawi, da Vinci Film Festival’s programming director, said several documentary films received particular praise from attendees, including Gary Mortensen’s “This is War: Memories from Iraq,” Khashyar Darvich’s “Dalai Lama Renaissance,” and Jeremy Monroe’s “RiverWebs.” Other highlights included “Certain Green,” a drama based on an essay by OSU professor Marjorie Sandor, and the animation films “A Jazz Sketchbook” and “The Popcorn of Doom.”

“Attendees commented that the films were entertaining, well-executed, and amazingly diverse,” Shaarawi said.

British filmmaker Alex Cox opened the festival Friday evening with a keynote speech that provided an insider’s view of independent film. Cox spoke about the filmmaking industry and the rapid changes that have resulted from technological advances and the new ways that audiences are connecting to film.

This year’s festival also featured filmmaker workshops, a “Meet the Filmmaker” panel presentation, and the Fast Film Project that challenges teams or individuals to write, shoot, and edit a short film in 48 hours. This year’s only Fast Film Project entry was “Invisible Citizens,” a documentary about Corvallis’ homeless community from the perspective of a 10-year-old.

The festival attracted several filmmakers from outside the region, including young Drew Morton Goldsmith. Drew, who is autistic, flew from Wisconsin to attend his first film festival and to participate in the panel presentation. His film “Treasure Diversity” made an appeal for tolerance and understanding of autism.

After hearing lots of good reviews from this year’s attendees, VanDevelder is already looking forward to next year’s event, which will take place in April 2009.

“The commitment of our volunteers is beyond belief, and we have tremendous momentum heading into next year's film festival,” VanDevelder said. “We heard from many attendees that the move from the summer da Vinci Days was a welcome change, and we’re confident that the event will continue to evolve into something really special for Corvallis. My hope is that everyone interested in supporting the concept of a growing film festival event for Corvallis will get in on the planning now and share their talents and resources to make this another signature Corvallis event.”

Those who would like to know more about volunteer opportunities can contact da Vinci Days at 757-6363.

The following films received top honors at the da Vinci Film Festival. A selection of these films will be screened this summer during da Vinci Days, which runs July 18-20. The schedule will be announced later this spring.

Category Winners (Cash Prize Awarded)
Best Feature Film “The Flyboys,” Rocco DeVilliers
Best Short Film “Operation Fish,” (animation), Jeff Riley
Best Film by a Young Filmmaker “The Confession,” Cameron Abdo
Avid Award for Best Editing “Pivot,” (drama), Julius Ramsay
Spirit of da Vinci Award “Alternate Endings,” Greg Townsend
Best Documentary To be announced
Genre Winners (Judges’ Picks / No Cash Prize)
Comedy “Red Yellow Blue,” Changhee Chun
Drama “Pivot,” Julius Ramsay
Experimental “Agneszska 2039,” Martin Gauvreau
Animation “Operation Fish,” Jeff Riley

About da Vinci Days
da Vinci Days is the country's longest-running festival of its kind. Operating as a 501(c) 3 non-profit organization and with help from more than 150 community partners and 1,000 volunteers, da Vinci Days showcases innovative artists, engineers, teachers, community organizations, and individuals. The 20th annual summer festival takes place July 18-20, 2008.

On the Web: www.davinci-days.org

Sunday, April 13, 2008

Welcome to the da Vinci Film Festival

One hundred years ago, filmmaking was very much in its infancy. The emerging art form was often surprisingly innovative, but filmmakers and early audiences alike were coming to terms with what was essentially a whole new visual language, still clumsy and rudimentary, but adding new words and phrases to the visual dictionary with each new film.

Film viewing, too, was in its infancy. Though many audiences had moved beyond the mere amazement that pictures were moving up there, on the screen, its most likely that a trip to see movies — in a small cramped theater or in a traveling tent show — was still largely a novelty, an interesting diversion of an afternoon. Film viewers were spectators, most likely not expecting to be directly engaged by a movie beyond the surface level of its subject matter.

In 2008, filmmaking is in a renaissance period of transformation. The visual language of film, though constantly changing, has been established, and the technology is immeasurably evolved from the tripod bound hand-cranked cameras of yore to the point where all the tools a filmmaker needs can be found in a hand-held high-definition digital camera and a reasonably powerful computer loaded with editing, special effects and music creation software — a movie studio on a desktop!

Though filmmakers have always found a way to realize their dreams down through the years, whether shooting 16mm, 8mm, super 8, videotape or other mediums, never before has such a complete suite of tools been placed at their disposal. Creating a theater quality film, capable of being presented on a big screen, has never been so easily within the reach of emerging filmmakers.

But perhaps of greater importance in the new renaissance, is the gradual emergence of new forms of distribution. In the 1970s, as corporate chains slowly began to take over and independent theaters, movie houses and drive-ins began to disappear, it became harder and harder for filmmakers to find an outlet for their work. The term “direct to video” became a mark of derision and scorn, but with film prints costing thousands of dollars each to produce, and no screens available, there was little financial incentive to filmmakers to aim for a theatrical release.

But today, technology is building new distribution opportunities. Cable and satellite TV offers hundreds of channels all needing content, films are being streamed over the internet on demand, and some independent theaters, such as Corvallis’ Darkside Cinema, have been adding the capability of playing DVDs on the big screen, thus removing the expensive film print barrier to distribution.

This same technology is also being used by the filmmakers themselves to bypass normal distribution channels and market their work directly to the public, and as audiences become more sophisticated, they are coming to understand that some very good filmmaking never makes it to the theater chains. The “direct to DVD” label is losing its stigma.

That audience understanding is key as well. Audiences are another part of the new renaissance. Now throughly literate in the language, they are no longer content to be spectators. They want to be part of the conversation, and at the da Vinci Film Festival, and at film festivals around the country they are showing up in increasing numbers, eager to discover hidden treasure, hear new voices, be the first to spot new films and filmmakers on the cinematic horizon.

Like our renaissance namesake, the da Vinci Film Festival shares this spirit of looking toward the new, seeing things with fresh eyes, and we applaud the work and creativity of the filmmakers we are presenting equally with festival attendees whose openness and readiness to embrace new ideas assures that cinema continues to evolve into its next hundred years.

Wednesday, April 9, 2008

2008 Filmmaker Workshops

Registration Form: 66k

Workshop 1: Secrets of the Film Audition: A Workshop for Actors & Directors

When: Saturday, April 19: 9:00 am-12 Noon
Enrollment Limit: 20
Experience Level: filmmakers at all levels
Instructor: Stan Freitag
Fee: $10

This interactive (and active) workshop is targeted at both actors and directors. Prospective film actors will get out of their seats to learn the essentials of doing an audition, how to do a "cold read" of an unfamiliar screenplay, and how to inject energy and improvisation into a reading. Directors will learn what to look for in casting roles and how to get the actors to fulfill the director's "vision." This workshop will be very participatory.

Stan Freitag is a native Oregonian with a Master's Degree in Acting and Directing. Stan has dramatic and film acting and writing experience in Los Angeles, and his theater experience as director and producer, as well as his work in art direction and storyboarding for independent films, led him to co-found his own multi-media production company, What If Productions.



Workshop 2: Screenwriting: Character Development

When: Saturday, April 19: 9:00 am-12 Noon
Enrollment Limit: 25
Experience Level: filmmakers at all levels
Instructor: Linda Hamner
Fee: $10

Utilizing film clips and interactive class exercises, this workshop will explore techniques to create fully-dimensional, memorable characters.

Linda Hamner is a writer, script consultant, and instructor. Ms. Hamner received an Emmy and Writers Guild Award for television writing for the soap opera "Santa Barbara." She currently teaches screenwriting classes at LBCC's Benton Center.

Frequently Asked Questions

What makes your film festival unique?
We take films that embrace the "da Vinci spirit" with creative and innovative approaches in either or both the filmmaking process or storytelling. We're also a unique film event for these reasons:

  • Part of a major Oregon festival celebrating art, science, and technology
  • Always evolving to benefit the Filmmaker and the Audience
  • Venue for true independent film by and for all ages
  • Special encore screening of winning films
  • Volunteer-run film festival built on a love of film
Where are your films screened?
We screen films in Austin Auditorium and the Construction & Engineering Hall, both located in the OSU LaSells Stewart Center. Austin's 1200-seat auditorium offers a full-cinema experience with a theater-sized movie screen and state-of-the-art projection and sound. The smaller Construction & Engineering Hall offers a more intimate movie-viewing experience

Special late-night screenings of selected films are scheduled for April 18 & 19 (Friday & Saturday) at Corvallis' local independent movie house, Darkside Cinema.

What's the connection with da Vinci Days?
We're one of several signature events for da Vinci Days, a one-of-a-kind celebration of art, science, and technology that happens each year in Corvallis, Oregon on the 3rd weekend in July.

What are the dates for the 2008 Film Festival?
For 2008, we've moved the film festival to April 18-20. For more information, check out the program details.

Do you hold workshops and feature talks by filmmaking experts?
Yes! For the 2008 festival, we're featuring independent filmmaker Alex Cox of Repo Man and Sid & Nancy fame.

On Saturday, April 19, we'll be offering two workshops: one on the secrets of the film audition and the other on character development in screenwriting. We recommend early pre-registration since participation is limited.

Also for filmmakers at all levels is the da Vinci Fast Film Project, for which participants must register on April 11.


Submission

Who can submit?
Filmmakers can apply in one of three categories set by age and status:
K-12:pre-college, ages 6-18
College:college or film school
Independent:non-students
Local: Oregon resident

To qualify for the Local filmmaker category, Oregon residents must submit their film package with an Oregon postmark.

What are your submission fees?
Our low-cost fees are set by submission date and filmmaker category:

K-12
College Independent
Local
Early Bird:$20
$30$35
$30
Regular:$25
$40$45
$40
Late:$30
$50$55
$50
Extended:$35
$70$75
$70

Do you offer fee waivers?
Unfortunately, we cannot offer fee waivers. We operate as a community event with a dedicated team of unpaid volunteers.

How do I submit a film application?
We use the electronic application service run by Withoutabox. To submit a film, start here:



Why do you use Withoutabox?
It's free for filmmakers and more efficient for us. Filmmakers fill out only one master entry form for our film festival and over 1,000 other WAB-partner festivals. As a WAB Member, you get great benefits and low-cost service upgrades.

What are the application dates for the 2008 festival?
Submission dates for the April 2008 festival are as follows (entries postmarked after February 20 are not guaranteed consideration):




All Filmmakers
Early Bird

October 26, 2007
Regular

December 15, 2007
Late

January 31, 2008
Extended

February 15, 2008

Our call for entries for the 2009 festival will go out in September 2008.


Eligible Films

What types of films do you accept?
We accept Shorts (30-minute max) and Documentaries (55-minute max) in any filmmaking style.

We also accept feature length films (80-120 minutes) that embrace the da Vinci spirit in either or both the filmmaking process or storytelling.

What genres of Shorts and Feature Length films do you accept?
We accept submissions in these five genres:
  • Animation
  • Comedy
  • Drama
  • Musical Form (films framed around music)
  • Experimental (films not fitting any other category)
Is there film work you don't accept?
Independent and Student filmmakers must have complete production control over the work they submit. We don't accept industrial or advertising films.

K-12 films must be student-produced, from start to finish. Parents and other mentors should only play an advisory role in offering guidance.


Selection Process

If I submit a film, will it be screened?
Not necessarily. As a juried event, we view all entries and select the best for the festival screening. We receive over 200 submissions and screen approximately 30% of them.

How are films selected for the festival?
A screening committee rates all submissions. Working in groups of 4-6 reviewers, the committee evaluates each film and ranks them. The Programming Director makes the final screening decision. All films that the review committee considers award-worthy are screened.

What are the selection criteria?
  • Script/Storyboard: story, suitability, sequencing, and shots

  • Technical: camera controls & movement, composition, sound, and editing

  • Direction: blocking and casting choices
Do you jury K-12 filmmakers differently?
Yes. Our definition of originality is more flexible, particularly for work submitted by filmmakers under the age of 12.


For and About the Filmmakers

What are some of the special benefits for the filmmakers?
For filmmakers joining us at the festival, we offer hospitality and special hotel rates. For film winners, we'll have encore screenings at the summer da Vinci Days festival.

Do you have a MySpace page?
Yes! So, if you're interested in networking online with fellow filmmakers and film buffs, visit our MySpace page.

Do you get many K-12 filmmaker entries?
We've had films from six-year olds and watched some young filmmakers progress in their skills from year to year. Some of these films have wowed festival filmgoers.

Who are some of the filmmakers screening at your festival?
For recent participants, check out film winners for the 2006 and 2007 festivals.


Judging

Who judges the films?
All the judges are people directly involved in the Media Arts—professors who teach film studies, local independent cinema owners, high school film program teachers (for K-12 screenings). Each genre/filmmaker category has one judge who must watch all films in their assigned category at the public screening. Audience reaction can influence a judge's assessment, particularly for comedies.

Are judges also members of the screening committee?
No. In fact, they usually don't know who each other are! We keep their roles separate to ensure objectivity and fairness in the judging.

How are the audience favorite awards determined?
Festival attendees can vote for their favorite films on forms that are available at the screenings.


Awards

Is there a Best Film award in each category?
We give out Best Film awards in four categories: Best Short, Best Documentary, Best Feature Film, and Best Young Filmmaker.

What is the da Vinci Spirit Award?
The da Vinci Spirit Award award goes to the filmmaker whose film best reflects a da Vinci-like creative genius. We are looking for creative work that is innovative and inventive in the filmmaking process or storytelling. All categories of films are open to this award competition.

Do the awards include prize money?
Yes. Starting with the 2008 festival, cash prizes will be given out in these categories:

Category

Award
Best Short Film

$250
Best Documentary

$250
Best Feature Film

$250
Best Young Filmmaker

$100
da Vinci Spirit Award

$100


When do you present the awards?
There is no awards ceremony. Awards are mailed to the winning filmmakers after the film festival.

Do you have a listing of award-winning films?
Here are the festival winners for 2007 and 2006. For a listing of award winners from the first five years of the festival, check out our 2005 Best of the Best program:
Best of the Best 43k